Petitions

semesterProtestGovernments are so often
Like blossoming pear trees.
I learnt this when I stood
One silent white summer
And thought of James Wright.
“Perfect, beyond my reach,
How I envy you.” he wrote.
“For if you could only listen,
I would tell you something,
Something human.” It smote
My just cause into dust. Trusting,
The petitioner stands, missing,
Often, the point of her own protest.
The government is not Yeats’s
“Great rooted blossomer”. The jest
Is on the trees, when you learn
That it is the heat, not the shade,
That frees.

endurreisn.is

 

 

Chapter 13: The Third Witch (from The Bones of Stars)

Chapter 13: The Third Witch
Adit gripped Ethan’s hand in his, wondering whether his grin signaled happiness at having cracked a good joke or joy at being, in fact, a witch. Finding no clue in the frank blue gaze, he settled for – “Shouldn’t that be ‘wizard’?”

“Warlock, actually”, smiled the tall blond witch. This left Adit no wiser as to whether he was serious or joking, but Hsimah had no such doubts.

“Ah. The third. But naturally.” He inclined his head in Ethan’s direction. “Pleased to make your acquaintance.”

“Yo.”

Yvonne groaned dramatically, sighed and heaved herself out of the depths of the sofa. “Yo. The boy says ‘Yo’! We dress him up, we take him out, and this is how he behaves, the wretched, wretched boy!” She pummeled him on his stout upper arm in despair. He caught her shoulders in a one-armed clasp and mussed her hair with a large hand.

“She loves me,” he told Adit and Hsimah confidentially. Yvonne hrrumphed. They all stood about while an awkward silence descended on the group. Adit looking from one to the other, Hsimah eyeing the three others speculatively, Yvonne pouting, Hyun worried, Ethan beaming from ear to ear. Finally, Hsimah cleared his throat as prelude to speaking. Everyone turned to him.

“So. Three witches. A full coven.”

Ethan reached over and pulled Hyun into his other arm. Then he looked Hsimah in the eye and nodded once. “Aye, Sir.” He managed to appear protective, bashful and proud all at once. Hsimah held his eye for a while. Then he inclined his head in silent acknowledgment. Adit watched this exchange carefully. Clearly some sort of understanding had been reached between the two men that escaped him for the moment. He cleared his throat.

“So are you three really witches? What is a coven? And how can it help me find Akshat?” The flat tone in which the three questions were delivered alerted everyone to the fact that he was beginning to lose his patience; in fact, he was very close to losing his mind. He was almost sure that coming here with Yvonne had been a huge mistake. So far, nothing of great importance had been revealed, no-one had suggested even one course of action towards finding his brother and now here was this tall blond man claiming to be a witch! What was a witch, anyway? Adit and Akshat had stopped reading fiction at age 9 when they discovered that it was not fact. They were not, unlike many of their friends, raised on a diet of fantasy and magic and had trouble identifying heroes and heroines of popular fiction that their peers referred to by first names. Nevertheless, the past few months had certainly brought home to the twins the existence of things they would earlier have firmly labeled ‘fiction’ – and ‘fantasy’ at that. Still, it was one thing to accept your own and your family’s powers, and quite another to find witches in America: where they had specifically been sent to get away from the all that.

Hyun shrieked and broke free from Ethan’s hold. She raced across the room straight towards Adit. Astonished, he stepped out of her way just as she hurtled past him screaming ohmygod ohmygod ohmygod. She threw herself into a chair in front of the laptop in the middle, tapping keys furiously. Numbers and images flew over the screen in a blur. She muttered under her breath, gasping and putting her hand to her mouth as her eyes followed the blurs at lightning speed. Utterly baffled, the room full of people gaped at her trying to track her arms as they snapped from laptop to laptop, the fingers clicking on the keys in a non-stop clatter. Suddenly she reached over, pressed a key and whirled about to face them all.

“See!” The command snapped all eyes to the laptop her slender arm pointed at.

 

Like a Bridge

What need of bridges, when waters
Are not troubled. When clear and calm
They lie in invitation to walkers
Of oceans, seas of glass, smooth
Reflections of feet, cool as balm.
What need of bridges when fear
Is a friend to float with, truth
In her face, cupped by the fjord,
Whose ripples touch your arm
In gentle laughter. What need
Of bridges, when the white slopes
Know that your drowned heart breathes
In so many crossings over, hopes
Of births while grieving deaths.
What need of bridges, when wonder
Holds the two shores asunder.

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On First Discovering Pavarotti’s “Che faro…”

Orpheus, barred from Hades,
Like the lament of angels,
Or Euridice herself, where indeed
Could he go. Unmanned, unvoiced,
Unsaved by Death’s refusal, where
Indeed, without his love, without
Her song, when yearning has her
By the throat. Turn around, turn about,
Where else, indeed, with eyes for
Only her, blind, following only
The longing for her behind him,
How but to call in her own voice
How but in her own could she find him.

 

(Orpheus’s role is traditionally sing by an Alto, a woman’s voice)

Cinderella Makes An Appointment

I feel like my wit should be dry
Instead of my skin. My wallet fat
Instead of my shin. My vision far-reaching
Instead of my toes. (Indeed I often check,
When my feet are smelling, to make sure
That what is running, is my nose.)
I feel there’s no use dwelling
On heels, instead of in villas.
But it’s hard when you need a night
Out, and your feet are like Godzilla’s.

In the Society of Dead Poets

Good night, Sweet William
May flights of Princes sing thee
To thy rest.
There on the barge to Avilion
Sailing over the horizon’s crest
The children of the summers end
Gather in the dampened grass
Where the quality of mercy, like peace
Comes strained through the dust of stars.
Tilters at windmills all. Yeats said it best:
A terrible beauty is born with those who go
Where midnight’s all a glimmer, and noon a purple glow.

 

Sonnet for Somniacs

Surely this is not jet lag.
I stare suspiciously at my unpacked bag.
It stares back at me, its one lock-eye steely.
Stupid little carry-on wheely.
Surely this is not middle age.
I wearily turn another page.
Reading at 4am just means I’m nerdy.
And besides, this book is so wordy.
Surely this is not anxiety.
That’s not a condition in which I would be.
Everyone has ailing parents, kids alone,
And I’m big boned, not osteo-prone.
Look at me: successful, happy, fat.
Sleep? It really isn’t all that!

A Triolet Serenade

Evening walks in silks and lace
Bridesmaid to her lady Night.
Sulking, no marriageable grace,
Evening walks in silks and lace.
Before and after, never in place
To ascend Dawn’s alter, bathe in light.
Evening walks in silks and lace
Bridesmaid to her lady Night.

O Evening, never merely Eve,
Don’t reach for that bouquet of stars.
They’ll wither at the touch of the Groom. Leave,
O Evening, never merely Eve.
Think of it as a blessed reprieve,
Don’t let her toss you those flowers.
O Evening, never merely Eve
Don’t reach for that bouquet of stars.

 

(A Serenade is a poem written to/at evening time, traditionally for lovers.
A Triolet is a poetic form consisting of only 8 lines. Within a Triolet, the 1st, 4th, and 7th lines repeat, and the 2nd and 8th lines do as well. The rhyme scheme is simple: ABaAabAB, capital letters representing the repeated lines.)

All That Glitters

Another night, another dream
Down in the mines working the seam
It looks like gold but I could be a fool
Working my axe like a writing tool.

Another day, another hope
Letting myself down another rope
What will I send up from the dark?
What letter written on petrified bark?

Another smile, another word
This is my feathered quill, my sword
That scratches my skin, strokes of blood
Staves off the drowning, the bitter flood.

 

Last night I dreamt I went to Manderly again

Yeah, that classic line.
How it comes back, like a suicidal friend
Who needs you to stay up with her
One more time.
And so I walked through those doors
That I had shut behind me
Paced again those floors
That I had measured inside me
Saw the walls, almost bare
That rise on either side me
Breathed the empty spaces where
Shapes of things betide me.
Who is this dreamer now
Who walks beside me?
Was it last night I dreamt when
I shut myself in again?
What shall I do with this friend
Who might not wake if I let her sleep?
In her dream she can show me how
To be in Manderly again.